CHANEL SPRING 2026: FASHION IN A NEW ORBIT

Fashion weeks are often like a game of musical chairs everyone wants to claim their place, but only a few emerge victorious. For Chanel, Matthieu Blazy staked everything on one bold move, propelling the house into an entirely new galaxy of aesthetics. His latest collection is a multidimensional reinterpretation of the brand’s classic codes, set against a backdrop that feels like a cosmic dream a herald of a new era where Chanel redefines the boundaries of freedom.

On a Monday evening, Paris became the epicenter of this cosmic metaphor. After months of intensive preparation, Blazy presented his collection in the renovated Grand Palais, delivering a show that was both a spectacle and an intimate experience. This was the inauguration of his vision for the house not merely a creative revival of tradition but a new philosophy for Chanel. The atmosphere was magical: a planetarium filled with giant, shimmering spheres reflecting light like cosmic mirrors, creating a scene as breathtaking as Karl Lagerfeld’s most iconic productions.

The show began precisely at 8:14 p.m. a symbolic “moon landing” in Chanel’s history. Blazy, the house’s fourth creative director, embraced a fusion of tradition and daring experimentation. His announcement of the collection, through black and white photographs by David Bailey, suggested minimalism and austerity yet the reality was richer, full of contrasts and surprises.

The opening look was a checkered wool suit  trousers paired with a cropped jacket. A tribute to Coco Chanel and her personal inspirations, including garments borrowed from Arthur “Boy” Capel. Blazy mined the archives but reframed tradition in unexpected ways. The collection featured expansive white tuxedo shirts paired with wide skirts, and striped menswear shirts worn with scarlet ball gowns adorned with delicate feather details.

Blazy explains his fascination with the revolution Coco Chanel introduced to fashion. “It’s not just about clothing it’s about the freedom of choice, about being both sides of the same coin,” he said. His collection embodies this philosophy: balancing androgynous minimalism with seductive eveningwear. Silk separates, flowing dresses in shades of beige, ivory, and black evoke the spirit of Art Deco while celebrating a centennial of this aesthetic in the heart of Paris.

Blazy’s inspirations are deeply personal. Minimalist lines throughout the collection echo Chanel’s pared-back perfume bottles a homage to Coco’s childhood at the Aubazine abbey. Rich, textured knits, skirts reminiscent of sheaf like straw, and tops that resemble fragments of paper dominate the fabrics. Symbolic touches, such as wheat sheaf motifs one of Coco’s talismans appear embroidered across garments, from black dresses to oatmeal-hued tweed coats.

Blazy embraced risk. The iconic quilted 2.55 bag underwent a creative transformation stripped of its chain, in a burgundy hue with unusual embroidery becoming a new narrative. “I wanted the bag to look as if it had been passed down through generations, and yet worn in modern spaces: from the Lower East Side to Pigalle,” Blazy explained. This idea became a recurring theme the reinterpretation of tradition as a personal and individual statement.

Chanel’s footwear was another statement: supple new versions inspired by chocolate pralines transformed iconic models into sensorial designs. The tweed suit frayed, relaxed, textured embodied Blazy’s philosophy: clothing should be beautiful, wearable, personal, and full of history.

The finale was marked by model Awar Odhiang closing the show in a flowing, multicolored skirt paired with an ivory silk blouse, her movement a graceful dance. The audience rose to their feet in applause. It was a declaration of Chanel’s new chapter one where tradition meets boldness, and the house ascends into a new orbit of fashion.

Photos courtesy of CHANEL  

 

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VALENTINO SS26: THE LIGHT OF RÉSISTANCE

Alessandro Michele’s Valentino SS26 was a spectacle that transcended the ordinary world of fashion it was a manifesto of emotion, philosophy, and artistic courage. His “Fireflies” was not merely a clothing collection, but a declaration that fashion can serve as a beacon in the darkest hours of culture. This is not a seasonal trend, but a creative act in which every element from the structure of the silhouette to the smallest embroidery is deliberate and meaningful. Michele, known for his love of deconstruction and recontextualisation, takes this further than ever. In an era of rapid consumption and shallow narratives, Valentino SS26 becomes a bold call for reflection and depth. The runway is not simply a stage for clothes it is a place where the designer paints light in the darkness, using fashion as a philosophical medium.

While the runway transformed into a theatre of shimmering reflections, Michele allowed his vision to speak in the language of metaphor. The inspiration is drawn directly from the poetic imagery of Pier Paolo Pasolini the story of the firefly as a symbol of hope, endurance, and resistance to darkness. This concept, rooted in Italian artistic and literary tradition, Michele translates into the language of fashion, giving it a universal dimension. In his own words, it is “the capacity to resist in the darkest hour,” which in today’s world marked by social, political, and climate crises sounds like a manifesto. This is not merely an aesthetic gesture but a moral one a reminder that fashion can be a space of resistance and a tool of expression. Michele shows that clothing is not empty ornamentation, but a carrier of ideas and emotions. In this sense, “Fireflies” is more than a collection it is a philosophical story about light in darkness, about the subtle strength born of opposition.

The show had a co-educational character a conscious blurring of gender boundaries and conventions, which is already a hallmark of Michele’s work. This is further proof that fashion, in his vision, is a space of freedom and experimentation. The show’s scenography paid tribute to light and movement: gold and silver sequins shimmered like tiny lanterns glowing in darkness, flowers burst with vibrant colour, and silk drapes moved like flowing verses of a poetic hymn. It felt like attending a ceremony in which silhouettes become incarnations of poetry, and movement and light become metaphors for life itself. The collection was a synthesis of extravagance and profound meaning Michele shows that fashion is not only surface aesthetics but a medium capable of communicating values and emotions. This is a deliberate opposition to the simplified consumption of fashion Valentino SS26 is a manifesto, not a trend catalogue, an invitation to reflection and dialogue.

The blouses in the collection revealed glimpses of skin, creating a delicate interplay of light and shadow that echoed the phenomenon of bioluminescence in fireflies. Their prints, full of organic patterns and symbolic detail, were an ode to the poetry of nature to the fragility, delicacy, and yet resilience of life. This was a tribute to the idea that beauty resides in fragility, and that light exists because of darkness. A flapper-style dress adorned with chrome sequins bore an embroidered belt of fireflies at the waist not merely decoration, but a conscious artistic gesture. It was a reference to the aesthetics of the 1920s combined with a futuristic accent, creating a bridge between past and future. Other pieces explored the power of contrast: a fully transparent gown, whose only ornament was a golden sequin snake winding around the silhouette, became a provocative poem about delicacy and resistance, about the phenomenon of light in darkness. This was an invitation to read fashion as a form of narrative in which every detail carries significance.

The menswear segment was equally revolutionary and rich in nuance. Michele challenged the classical codes of elegance structure gave way to fluidity, austerity gave way to poetic form. Jackets made from soft fabrics bore creases and folds that gave them individuality, evoking the idea that garments carry the memory of time, its traces, and history. Other models were feminised, acquiring feminine subtlety through hourglass shapes, a deliberate act of shifting gender boundaries in fashion. This demonstrates that in Michele’s vision, masculinity and femininity are points on a continuum, not binary categories. The climax of the show was a jacket covered entirely in golden scales, shimmering like fireflies in darkness, paired with a black floral lace vest a symbolic meeting of darkness and light, elegance and poetry, resistance and beauty. It was a moment in which fashion ceased to be merely apparel and became a performance, a metaphor, and a manifesto all at once.

The colours and textures of the collection seemed to form a separate language of Alessandro Michele’s mint, oxidised copper, gold, and silver intertwined in a play of contrasts, creating a palette that was as poetic as it was conceptual. Draped gowns evoked the monumentality of Greek marble and the majesty of the Statue of Liberty a deliberate choice, as Michele, like an artist, draws on the iconography of freedom to underscore the message of the collection. The whole was a tribute to the idea that true elegance is born from courage the courage to shine in the darkest hour. Valentino SS26 is not a collection for fleeting consumers but for those who seek something more in fashion reflection, narrative, courage, and beauty.

Valentino SS26 is more than a show it is an artistic manifesto. Michele reminds us that fashion can be a light in darkness, that clothing is a language through which we express what cannot be said in words. In a world full of chaos and contradictions, his “Fireflies” shine as a poetic act of courage, hope, and beauty. It is a reminder that fashion in its highest form is not merely a mirror of an era, but its lighthouse. Michele pays homage to both tradition and the future, showing that light is not merely a material effect, but an act of resistance and a love for beauty itself.

Photos courtesy of Valentino 

 

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